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Unique Accidentals: 2
Unique Notes: 6 - 10
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Opera
L’ELISIR D’AMORE de Donizetti : Chœurs Partie 8/16 Acte 1 : Coro Scena 10
Papibois
1:12 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 7 6 7 100%
Bass 28 28 8 7 98%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 7 6 7 100%
Bass 28 28 8 7 98%
Belcore Treble 16 0 3 6 63%
Basse Bass 7 0 1 5 38%
Ténor
1		 Treble 8 0 1 5 36%
Ténor
2		 Treble 8 0 1 5 32%
Soprano
1		 Treble 7 0 1 4 16%
Soprano
2		 Treble 6 0 2 4 16%
Nemorino Treble 5 0 1 4 4%
 
HWV1A2N23 - Ich kann nicht mehr verschuriegen
edward.maurath
1:26 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano as
Almira		 Treble 14 0 4 5 96%
Cembalo Continuo Treble 14 24 3 4 83%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano as
Almira		 Treble 14 0 4 5 96%
Cembalo Continuo Treble 14 24 3 4 83%
Bass 14 1 3 3 78%
Viola 9 0 2 3 78%
Violin
1		 Treble 8 0 1 3 78%
Violin
2		 Treble 7 0 2 3 78%
Violoncello Continuo Bass 12 0 3 3 78%
Bassoon Continuo Bass 11 0 2 3 74%
 
L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2 - BASSE
Papibois
1:14 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 43 7 5 100%
Bass 24 28 4 4 98%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 43 7 5 100%
Bass 24 28 4 4 98%
Tenor
1		 Treble 13 0 2 4 93%
Tenor
2		 Treble 13 0 3 4 93%
Soprano
1		 Treble 15 0 5 4 89%
Soprano
2		 Treble 16 0 4 4 89%
Basse Bass 10 1 2 4 87%
Gianetta Treble 11 0 0 4 76%
Nemorino Treble 11 0 2 4 70%
 
Op.1 - L'ippopotamo
3ugman
1:24 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Electric
Bass		 Bass 8 0 0 2 100%
Contrabass Bass 8 3 2 2 86%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Electric
Bass		 Bass 8 0 0 2 100%
Contrabass Bass 8 3 2 2 86%
Timpani Bass 6 0 0 1 86%
Trombone Bass 5 0 0 1 71%
A
Piccolo
Trumpet		 Treble 6 0 2 1 57%
Flute Treble 9 0 0 2 43%
 
HWV5A2N8 Baldanzosa pietà, quanto contrasto (Rodrigo)
edward.maurath
1:02 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo (Continuo) Treble 16 19 6 3 100%
Bass 18 16 4 2 93%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo (Continuo) Treble 16 19 6 3 100%
Bass 18 16 4 2 93%
Florinda 10 0 1 3 100%
Violoncello (Continuo) Bass 9 0 2 3 100%
 
HWV5A3N21 - "Signore, poich'è lo sdegno"
edward.maurath
1:15 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 13 0 3 3 100%
Organo (Continuo) Treble 16 19 4 2 52%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 13 0 3 3 100%
Organo (Continuo) Treble 16 19 4 2 52%
Bass 16 11 6 4 52%
Florinda 11 0 0 4 52%
Cembalo (Continuo) Treble 9 10 0 3 48%
Bass 12 10 1 4 50%
Evaneo 9 0 2 4 48%
 
Wagner - Die Miestersinger von Nurenberg Overture to Akt 2. [Professional production full score.]
Jamie Holdham
1:03 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hoboen. Treble 18 13 5 8 100%
Klarinetten in
B.		 Treble 18 16 5 8 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hoboen. Treble 18 13 5 8 100%
Klarinetten in
B.		 Treble 18 16 5 8 100%
Floten. Treble 18 4 5 8 97%
I. Violinen Treble 28 2 5 11 97%
Bratsche. 22 2 4 10 97%
II. Treble 22 15 5 11 95%
III
IV in
D.		 Treble 17 12 3 7 95%
Violoncello. Bass 17 1 1 9 93%
Flute Treble 17 2 4 8 90%
Fagotte. Bass 13 7 2 4 87%
I
II in
F. Hr.		 Treble 16 15 5 7 75%
KontrabaB. Bass 15 0 1 4 59%
Trompetten in
D.		 Treble 6 0 0 5 50%
Kleinen
Floten.		 Treble 10 0 2 4 31%
Oboe Treble 9 0 2 5 14%
 
Lohengrin Vorspiel to Akt 2. {Professional production full score.}
Jamie Holdham
1:25 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Timpani Bass 2 0 1 1 100%
Violoncellos Bass 14 0 4 7 86%
Bassoon Bass 7 0 2 3 21%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Timpani Bass 2 0 1 1 100%
Violoncellos Bass 14 0 4 7 86%
Bassoon Bass 7 0 2 3 21%
 
Die Miestersinger von Nurenberg Overture to Akt 2. {Professional production full score.}
Jamie Holdham
1:03 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hoboen. Treble 18 13 5 8 100%
Klarinetten in
B.		 Treble 18 16 5 8 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hoboen. Treble 18 13 5 8 100%
Klarinetten in
B.		 Treble 18 16 5 8 100%
Floten. Treble 18 4 5 8 97%
I. Violinen Treble 28 2 5 11 97%
Bratsche. 22 2 4 10 97%
II. Treble 22 15 5 11 95%
III
IV in
D.		 Treble 17 12 3 7 95%
Violoncello. Bass 17 1 1 9 93%
Flute Treble 17 2 4 8 90%
Fagotte. Bass 13 7 2 4 87%
I
II in
F. Hr.		 Treble 16 15 5 7 75%
KontrabaB. Bass 15 0 1 4 59%
Trompetten in
D.		 Treble 6 0 0 5 50%
Kleinen
Floten.		 Treble 10 0 2 4 31%
Oboe Treble 9 0 2 5 14%
 
HWV5A3N03 [Eccello Giove] ... fissi stan la fortuna e il fato
edward.maurath
1:29 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 10 0 2 4 100%
Contrabassi (Continuo) Bass 10 0 2 4 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 10 0 2 4 100%
Contrabassi (Continuo) Bass 10 0 2 4 100%
Viola 11 0 3 4 100%
Viole 11 0 3 4 100%
Violin Treble 13 19 4 4 100%
Violini Treble 13 19 4 4 100%
Violoncelli (Continuo) Bass 10 0 2 4 100%
Violoncello Bass 10 0 2 4 100%
Violoncello (Continuo) Bass 10 0 2 4 96%
Rodrigo 13 0 5 3 91%
Cembalo (Continuo) Treble 18 26 7 5 88%
Bass 18 15 6 6 79%